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Thankfully for the regular patrons of Henie Onstad Art Centre, the members of Killl aren’t so keen on sporting corpse paint, body armour and yielding axes. In stark contrast to the slick hi-res standard of many live videos today, the KILLL footage is characterized by the use of early models of digital cameras and their lacking ability to process hardcore strobes and hyperactive LED lamps. My only minor niggle is that a cd that is in a cardboard sleeve maybe could do with being sent out in sturdier packaging. Change country: -Select- Albania Algeria American Samoa Andorra Angola Anguilla Antigua and Barbuda Armenia Aruba Australia Austria Azerbaijan Republic Bahamas Bahrain Bangladesh Barbados Belgium Belize Benin Bermuda Bhutan Bosnia and Herzegovina Botswana British Virgin Islands Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Islands Cayman Islands Central African Republic Chad Comoros Cook Islands Costa Rica Cyprus Czech Republic Côte d'Ivoire (Ivory Coast) Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Islas Malvinas) Fiji Finland France French Guiana French Polynesia Gabon Republic Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Haiti Honduras Hong Kong Hungary Iceland India Ireland Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Liechtenstein Lithuania Luxembourg Macau Macedonia Madagascar Malawi Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Namibia Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norway Oman Pakistan Palau Panama Papua New Guinea Philippines Poland Portugal Republic of Croatia Republic of the Congo Reunion Romania Rwanda Saint Helena Saint Kitts-Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and the Grenadines San Marino Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands South Africa Spain Sri Lanka Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Taiwan Tajikistan Tanzania Thailand Togo Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda United Arab Emirates United Kingdom United States Uzbekistan Vanuatu Vatican City State Vietnam Virgin Islands (U.

Projet fou, fascinant, et formidable de ces 4 norvégiens, qui inventent un pont improbable entre ATARI TEENAGE RIOT et NAPALM DEATH.KILLL consists of 5 members, all coming from some very diverse backgrounds: ARE MOKKELBOST is visual- and sound artist, his brother, producer and musician ERLEND MOKKELBOST used to be a crucial force in the deceased (may we say: legendary? Le son est éminemment agressif, le show est à déconseiller très sérieusement aux épileptiques, et le résultat est ce qui se fait de plus iconoclaste et jusqu'au-boutiste en matière de musiques extrêmes.

When the intense strobe lighting (supplied by Kyrre Heldal Karlsen who is deservedly regarded as an actual member of Killl) collides with the stage backdrop, an optical phenomenon occurs akin to the effect of staring at a Bridget Riley work, only in tricolour. KILLL is the side-project of four active Norwegian musicians; Martin Horntveth ( Jaga Jazzist), Espen Hangård ( Diskord, NoPlaceToHide), Erlend Mokkelbost ( JR Ewing, Montée) and Are Mokkelbost ( Single Unit, ARM). There are obviously specific signs for many words available in sign language that are more appropriate for daily usage.Instead of trying to reconstruct a moment, the KILLL movie presses the digital to the breaking point, and even a bit further - then, cut as tightly and uncompromisingly as the music itself. The fact that there are no actual recordings of Killl means that the band really only exists in this live form. Anyone wandering into this large white room prior to the concert could easily mistake the stage set as an installation: there’s no actual stage. Evoking a state of emotion that ranges from total confusion and emptiness to blissful enthusiasm and a strong sense of belonging. However, they have refused presenting themselves on any format except the live concert - until now: Presented in a 8-panel digipack including two posters, a CD and a DVD with live footage from the band's concerts in the period 2005 - 2009, this a manifestion of the visual and musical phenomenon KILLL is.

The centre in Høvik, just outside Oslo, opened its doors in August 1968 with a specially commissioned electro-acoustic piece entitled ‘Solitaire’ by Norwegian composer Arne Nordheim. The band formed on request for a concert in 2003 after having talked about joining forces, and made all the music in three days. Yet, the band's unusual visual presentation also works as a portal, a direct entrance into highly energetic sensations that moves outside the standardized markers of the metal and noise genre. The DVD compiled recordings and footage from numerous concerts all over Europe over several years, combining official documentation tapes from the venues with early digital camera footage from the audience.Nowadays, of course, metal gigs in New York and London galleries aren’t so extraordinary thanks to artists like Banks Violette and Matthew Barney’s use of metal musicians and imagery. Their closest sonic relatives are perhaps John Zorn’s experiments with metal dynamics in Painkiller and the excellent Norwegian atmospheric Metal band Ulver.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. in september, however, they will release a CD and a DVD with live footage from the band's concerts in the period 2005 - 2009, presented in a lavishly designed 8-panel digipack including two posters - this is nothing less than a manifesto of a phenomenon! We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. The ASL fingerspelling provided here is most commonly used for proper names of people and places; it is also used in some languages for concepts for which no sign is available at that moment.

The stage design was a collaboration between light designer Kyrre Heldal Karlsen and I, animating a patterned backdrop by using LED lights and colored strobes. Filmed with everything from surveillance cameras to cell phones to steadycams, the movies are to a large extent based on material donated from the audience and organisers.

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